向关良大师致敬——关良·杨群戏剧人物水墨画展-展览资讯-美揽天下

展览资讯

向关良大师致敬——关良·杨群戏剧人物水墨画展

浏览记录：4096 |发布时间： 2019-08-25 |【字号字体：大中小】|

展览时间：2019年9月1日–15日

开幕式：2019年9月1日下午4点

出品人：张宝华

学术主持：吴光荣

联合策展人：陈杰史兴禾舒梦杨雪剑鲁闱(Kelly lu) 张绍庭张宝华

艺术家：关良杨群

主办：社创之星赛睿出国澳门铁赤道重型机车馆（福建）四恩國學文化傳播中心北京市日兆九州文化发展有限公司感叹号文化传播（北京）有限公司

展览场地：北京市朝阳区酒仙桥路2号798艺术区感叹号艺术空间

中国现代艺术的先驱——关良（1900—1986年）字良公。生于广东番禺，1917年赴日本学习油画，1923年回国任上海美术专科学校教授，参加过北伐战争，任政治部艺术股长。30—40年代辗转与广州、上海、重庆等地的艺术院校任教，曾任浙江美术学院教授，上海中国画院画师。关良先生是中国现代画坛上一位不可或缺的大师，他是最早将西方现代派的绘画理念引入中国传统的水墨画之中。西方现代派中的印象派、立体派、野兽派以及德国表现主义的绘画作品对关良影响很大。他在比较中西绘画的异同之后，把西方现代绘画和中国水墨戏曲人物结合到一起，开创中国戏曲人物画新流派。关良的戏曲人物不拘泥于具体的情节及舞台的服饰细节，而是抓住特定情景中的精神，以少胜多，形式上以拙求朴，率真稚趣。进入炉火纯青的艺术世界。关良先生的写意戏曲人物画开一代之风。

杨群的水墨戏曲人物画既有传承又有独创，他的传承源于对画戏大师关良画风的敲骨吸髓，潜心学习。他的独创源于自己个人深厚的民间艺术功底。从剪纸到木版年画、从皮影到刺绣、从民间泥玩具到民间雕塑，在吸纳民间艺术的同时，杨群又如饥似渴汲取西方现代派艺术大师毕加索、马蒂斯以及新表现主义的绘画语言。他的水墨戏剧人物画造型夸张写意，作品更着重于纯视觉的绘画性。他把中国现代水墨和中国民间传统艺术融于一体。杨群的水墨戏剧人物画散发着典型的东方艺术独特魅力。

吴光荣

中国美术学院美术馆副馆长、民艺博物馆馆长

The pioneer of Chinese modern art — Liang Guan (1900—1986). Born in Panyu Guangdong, China, Liang Guan went to Japan to study oil painting in 1917. In 1923, he returned to China as a professor of the Shanghai Academy of Fine Arts. Later on he joined in the Northern Expedition against the Beiyang government and became the Art Chief of Political Department. In the 1930s and 1940s, he taught in various art schools across China including those in Guangzhou, Shanghai, Chongqing. He was also a professor of the Zhejiang Academy of Fine Arts and a painter of the Shanghai Chinese Painting Academy.Mr. Liang Guan is an indispensable master of modern Chinese painting. He was the first person to introduce the concepts of western modernist painting into Chinese traditional ink paintings. Impressionist, Cubist, Fauvism and German Expressionist paintings have all had a great influence on Liang Guan. After comparing the similarities and differences between Chinese and Western paintings, he combined modern Western painting styles with traditional Chinese paintings to create a new genre of Chinese ink opera character paintings. Liang Guan’s paintings do not focus on story plots or costumes details, but capture the spirit of a scene. He uses simple and clumsy strokes, painting like a child. Mr. Liang Guan, the innovator of freehand style opera characters painting, has created paintings that have reached a perfect state.

Qun Yang’s ink opera paintings are both inherited and original. His inheritance stems from his painstaking study of master Guan Liang's painting style and his originality stems from his personal experience of studying and creating traditional folk art. From paper-cutting to woodblock New Year paintings, from shadow puppetry to embroidery, from traditional clay toys to traditional sculptures, while drawing from traditional Chinese folk art, Qun Yang is hungry for the artistic styles of modern Western art masters Picasso, Matisse and of the Neo-Expressionist movement. His ink opera figures are exaggerated and freehand, and the work focuses more on purely visual painting. He integrated Chinese modern ink painting with Chinese traditional folk art. Qun Yang’s ink-and-wash character paintings exude the unique charm of typical oriental art.

Guangrong Wu

Deputy Director

Art Museum of the China Academy of Art

Director

Folk Art Museum of the China Academy of Art

关良作品

贵妃醉酒（33×45cm）

孙悟空三打白骨精（68×33cm）

戏剧人物（28×75cm）

武松打虎（33×30cm）

晴雯补裘（53×35cm）

戏剧人物（40×44cm）

杨群简介

1958年11月生，安徽淮南人

1978年考入安徽师范大学美术系

1982年美术系版画专业毕业

1985年任教阜阳师范学院美术系

1986年在南京举办版画双人展

1989年中国美术馆举办《中国剪纸大奖赛》获一等奖

1989年入中央美术学院民间美术系深造

1990年在日本东京世田谷美术馆举办个展

2006年中国美术馆今日中国美术大展

2014年798感叹号艺术空间2014水墨展

2015年中澳美育交流华人艺术家大展

2016年《北京国际艺术博览会》参展

2017年北京民族文化宫《戏如人生·杨群画戏》个展

2017年《北京艺术博览会》参展

2018年798感叹号艺术空间《杨群戏剧人物水墨画》个展

2018年北京宋庄《国粹精华·杨群戏剧人物水墨画》个展

2019年新加坡《好戏连台·杨群戏剧人物水墨画展》

2019年法国《好戏连台·杨群戏剧人物水墨画展》

2019年《向大师致敬·关良·杨群戏剧人物水墨画展》

杨群的水墨戏剧人物画有着新表现主义绘画艺术的特征，造型自由随性，充分展现了中国水墨画和中国戏曲的写意精神，作品有着东方艺术的独特魅力和现代视觉审美。其作品被美国洛克菲勒家族，美国量子基金会、法国中西文化学会、法国尼姆现代美术馆、法国尼姆大都会秘书长、新加坡政务部部长、澳大利亚布里斯班洲议员等重要机构和藏家收藏。

现居北京，职业艺术家。

Introduction to YANG QUN

Qun Yang was born on November 1958. He graduated from Normal University of An Hui with a major in printmaking in 1982 and taught in the Art Department of Teacher’s College of Fu Yang in 1985. In 1989, he entered the China Central Academy of Fine Arts for further studies. He has participated in various competitions and exhibitions in the past few decades.

Exhibitions and Competitions List

1986 – Two-person’s Printmaking in Nanking

1989 – First prize in the Papercut Competition in Chinsese Art Museum

1990 – Personal exhibition art show in the Art Museum of Setagaya in Tokyo

2006 – ‘Present China’ art exhibition in the China Art Museum

2014 – Chinese ink show in the 798 Exclamation Art Space in Beijing

2015 – Chinese Art Exhibition at the China-Australian Conference of Art Education

2016 – Beijing International Art Fair

2017 – “Life is like a play” Qun Yang’s painting at the National Culture Palace of Beijing

2017 – Beijing Art Fair

2018 – Qun Yang’s Chinese ink opera characters paintings at the 798 Exclamation Art Space, Beijing

2018 – Qun Yang’s Quintessence of China, Chinese ink opera characters paintings in Song Village, Beijing

2019 – Qun Yang’s “One good show after another” Chinese ink opera characters paintings in Singapore

2019 – Qun Yang’s “One good show after another” Chinese ink opera characters paintings in France

2019 – Salute to the Great Master – Liang Guan – Qun Yang Chinese Ink Opera Character Paintings

Yang’s art is infused with "Chineseness" both embraced with traditional atmosphere and modern trends. He was introduced as early as the 80s by 'Chinese Art’ newspaper, “Arts” magazine and “Jiang Su Visual Arts”. He is included in “The Yearbook of Chinese Art 1949-2014”

His works have been collected by the American Rockefeller Family, Quantum Funds, France’s Nimes Museum of Contemporary Art, Nimes’ Metropolitan Secretary General, the state senator of Brisbane, Australia and the minister of Singapore’s government. As a professional artist, Yang currently lives in Beijing.